" The ambition of Caesar and of Napoleon pales before that which could not rest until it had seized the minds of men and controlled even their unborn thoughts. Its machinations, though, appear born of a limitless desire for domination. There are implications that he (or it) is some kind of terrible, perhaps almighty being, of vast and insidiously penetrative reach, although it is unmentioned of just what substance or origin nor the true form it takes. There are few direct references to the King in Yellow in the book that bears his name by Robert W. True, he appears to the narrator of The Yellow Sign briefly before he dies, but he is unable to convey quite what he sees. The King doesn't strictly appear in the original stories, at least not in any way that allows us a good description. To read the play is to be exposed to the King and to fall under his influence, going mad in the meantime. The King's nature, motives and modus operandi are unclear but he occasionally appears on Earth, animating dead bodies or possessing those strange 'humans' already in thrall to him, and claiming (or reclaiming) those who have eluded him.
The King is in turn linked in some way with " Carcosa, where black stars hang in the heavens where the shadows of men's thoughts lengthen in the afternoon, when the twin suns sink into the Lake of Hali". Going by the original stories, The King In Yellow (the play) is linked in some nebulous and horrible fashion with the King in Yellow, an alien god whose "scalloped tatters. 5 Other definitions of The King In Yellow.
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